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Exercise 7
  • Exercise 7

Exercise 7

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Exercise 7

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The chordal approach in the bass line

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5 min Exercise 2
  • 5 min Exercise 2

5 min Exercise 2

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5 min Exercise 2

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Triad skip - 2 octave triad arpeggio

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5 min Exercise 1
  • 5 min Exercise 1

5 min Exercise 1

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5 min Exercise 1

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Triad - 2notes - arpeggio - 4 notes For left finger independence and being familiar with triad sound and cadence

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Morning Exercise 7
  • Morning Exercise 7

Morning Exercise 7

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Morning Exercise 7

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Cadence ear-training exercise using famous Bach's cello suite line.

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Morning Exercise 6
  • Morning Exercise 6

Morning Exercise 6

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Morning Exercise 6

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Study for 5th fret to 10th fret in the key of A minor

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Morning Exercise 5
  • Morning Exercise 5

Morning Exercise 5

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Morning Exercise 5

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Major and minor 251 progressions with two-part counterline sounding approach.

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Morning exercise 4
  • Morning exercise 4

Morning exercise 4

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Morning exercise 4

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Exercise for 5th interval shape and slur (slide) phrasing

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Morning Exercise 3
  • Morning Exercise 3

Morning Exercise 3

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Morning Exercise 3

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Key of C Major - understanding fretboard open string to 5th fret and left hand independence training

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Morning Exercise 2
  • Morning Exercise 2

Morning Exercise 2

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Morning Exercise 2

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Key of C Maj 6/8 - cycle of 2 (down) chord progression

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Morning Exercise 1
  • Morning Exercise 1

Morning Exercise 1

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Morning Exercise 1

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Cycle of 2

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Element 28
  • Element 28

Element 28

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Element 28

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Wide spread arpeggio exercise over basic 1-4-5 chord progression

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Element 27
  • Element 27

Element 27

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Element 27

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Warming up exercise with a combination of different intervals

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Element 26
  • Element 26

Element 26

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Element 26

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Exercise for triad arpeggio and interval 6th

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Element 25
  • Element 25

Element 25

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Element 25

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Arpeggio exercise in 5/8 feel with some tonality shifts

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Element 24
  • Element 24

Element 24

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Element 24

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a touch of funky bass line combined with wide arpeggio and triads

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Element 23
  • Element 23

Element 23

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Element 23

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5th interval - pentatonic - transposition

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Element 22
  • Element 22

Element 22

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Element 22

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Exercise for the quick slide - arpeggio approach

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Etude_Forming the Emptiness_op70_with tab
  • Etude_Forming the Emptiness_op70_with tab

Etude_Forming the Emptiness_op70_with tab

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Solo bass piece/Etude for smooth arpeggio connection - harmonic ideas

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Etude_Number_op.105_bass&treble-clef
  • Etude_Number_op.105_bass&treble-clef

Etude_Number_op.105_bass&treble-clef

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Etude for odd meter and widespread arpeggios

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